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A <\/span>Joseph Beuys <span style=\\\"font-weight: 400;\\\">(<\/span><span style=\\\"font-weight: 400;\\\">Krefeld, 12 maggio 1921 \u2013 D\u00fcsseldorf, 23 gennaio 1986),<\/span><span style=\\\"font-weight: 400;\\\"> pittore, scultore, performance\u00a0artist, insegnante, attivista e molto altro, \u00e8 dedicata la mostra <\/span><i>Kontext Beuys<\/i><span style=\\\"font-weight: 400;\\\"> che approda a Palermo dall\u20198 ottobre all\u20198 dicembre \u2013 inaugurazione 8 ottobre ore 12 - all\u2019<\/span>Haus der Kunst <span style=\\\"font-weight: 400;\\\">dei <\/span>Cantieri Culturali alla Zisa<span style=\\\"font-weight: 400;\\\">, dopo essere stata esposta nei mesi scorsi allo <\/span>Stadtmuseum<span style=\\\"font-weight: 400;\\\"> di <\/span>D\u00fcsseldorf<b>.<\/b><\/p><p><b><\/b><span style=\\\"font-weight: 400;\\\">Sulla scia delle celebrazioni <\/span><span style=\\\"font-weight: 400;\\\">in Germania per il centenario della nascita dell\u2019artista<\/span><span style=\\\"font-weight: 400;\\\">, <\/span><i>Kontext Beuys <\/i><span style=\\\"font-weight: 400;\\\">ne ripercorre i momenti pi\u00f9 salienti della vita e della carriera che nella figura di Beuys coincidono in gran parte, a partire dal concetto allargato di arte - l' \\\"erweiterten Kunstbegriff\\\" - che supera i limiti dell\u2019estetica tradizionale e integra tematiche economiche, socio-politiche, ecologiche, storiche, psicologiche mirando ad una trasformazione dell\u2019individuo e di conseguenza della societ\u00e0.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Attraverso<\/span> <span style=\\\"font-weight: 400;\\\">grafiche, poster, diagrammi e acquerelli provenienti dalla collezione dello Stadtmuseum e da collezioni private, l\u2019esposizione \u00e8 il ritratto di una personalit\u00e0 eccezionale che ha <\/span><span style=\\\"font-weight: 400;\\\">trattato nella sua arte una serie di temi che, molti anni dopo, suonano ancora contemporanei e urgenti: l\u2019ecologia, il rapporto tra essere umano e Natura, la volont\u00e0 di istituire una connessione diretta tra la pratica artistica e l\u2019impegno sociale, la \\\"soziale Plastik\\\" scultura sociale, ma anche concetti come \\\"Freiheit\\\" libert\u00e0, \\\"Kreativit\u00e4t\\\" creativit\u00e0, \\\"W\u00e4rme\\\" calore, e \\\"Identit\u00e4t\\\" identit\u00e0.<\/span><span style=\\\"font-weight: 400;\\\">\u00a0<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">In mostra si ritrovano condensate le testimonianze del rapporto controverso con l'Accademia di Belle Arti di D\u00fcsseldorf, inclusi appelli alla solidariet\u00e0 e i documenti sulla fondazione della \\\"Freie Internationale Universit\u00e4t\\\"; gli inviti elettorali per il partito dei \\\"Verdi\\\" da lui fondato, documenti sul suo impegno civile, ad esempio per l' \\\"Organizzazione per la Democrazia Diretta\\\", diagrammi su come rovesciare la \u201ctirannia dei partiti tedeschi\u201d:tutte idee espresse attraverso grafiche, incisioni, disegni, oggetti.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Al tempo stesso <\/span><i><span style=\\\"font-weight: 400;\\\">Kontext Beuys<\/span><\/i><span style=\\\"font-weight: 400;\\\"> intende indagare e dimostrare le tracce del pensiero di Beuys nell\u2019arte contemporanea e trasportare il suo pensiero nel presente. In quest\u2019ottica alcuni artisti contemporanei provenienti da diversi ambiti e generazioni sono stati invitati a produrre opere di qualsiasi tecnica e linguaggio che possano dialogare con quelle di Beuys, nell\u2019allestimento presentato all\u2019Haus der Kunst. Sono <\/span>Andrea Cusumano, Adriano La Licata, Federico Lupo, Blanca Mat\u00edas, Giulia Sofi<span style=\\\"font-weight: 400;\\\"> gli artisti scelti, che attraverso installazioni, video, performance, <\/span><i><span style=\\\"font-weight: 400;\\\">relitti<\/span><\/i><span style=\\\"font-weight: 400;\\\">, interpretano <\/span><i><span style=\\\"font-weight: 400;\\\">beuysianamente\u00a0<\/span><\/i><span style=\\\"font-weight: 400;\\\">il loro lavoro e processo artistico.<\/span><\/p><p>I cinque artisti tendono all\u2019estremo il vasto campo artistico e politico in cui ha operato Beuys.<br \/>Andrea Cusumano (Palermo, 1973) si concentra sull\u2019elemento sacrale attraverso l\u2019uso di relitti che incarnano la figura del Cristo Crocifisso posti in un dialogo plastico con degli specchi, sculture parietali che spingono il fruitore nell\u2019impianto visuale dell\u2019opera stessa.<br \/>Adriano La Licata (Palermo, 1989) analizza il sottile confine tra opera d\u2019arte e artista, attraverso mezzi diversi, video, fotografia, assemblaggi; il corpo dell\u2019artista si fa oggetto d\u2019arte, sua proiezione e sua antitesi.<br \/>Federico Lupo (Palermo, 1984) attinge in modo ironico dall\u2019atlante visuale di Beuys, e con le sue immagini dissacra e demitizza l\u2019opera dell\u2019artista tedesco.<br \/>Blanca Mat\u00edas mette in scena una performance relazionale che richiama le prime esperienze del movimento Fluxus a cui prese parte lo stesso Beuys: un camper all\u2019entrata dell\u2019Haus der Kunst sar\u00e0 il luogo in cui l\u2019artista (Girona, Spagna, 1967) e i fruitori della mostra dialogheranno secondo l\u2019idea di un\u2019arte come gioco e dell'effimero nell\u2019opera d\u2019arte; un concetto che l\u2019artista spagnola declina anche attraverso i frottage e i calchi di mobili all\u2019interno della mostra.<br \/>Giulia Sofi (Palermo, 1991) realizza un\u2019opera plastica e sonora che espande alcune azioni di Beuys come quella delle <em>7.000 Querce <\/em>presentata a <em>documenta VII<\/em> nel 1982 e le sue litanie profane. L\u2019artista palermitana collaborer\u00e0 inoltre con una classe del Liceo Linguistico di Bisacquino (PA) alla creazione di una performance che si basa sull\u2019aspetto linguistico nelle opere di Joseph Beuys.<\/p><p><em>Kontext Beuys<\/em> \u00e8 realizzata in collaborazione con il Kulturamt del Landeshauptstadt D\u00fcsseldorf e lo Stadtmuseum D\u00fcsseldorf, \u00e8 parte del programma di BAM \u2013 Biennale Arcipelago Mediterraneo e aderisce alla XVIII Giornata del Contemporaneo.<\/p><p><span>Giorni e orari di apertura:<\/span><br \/><span>gio ven sab &gt; 10 - 13 e 16 - 19<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 439,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span>Er ist einer der wegweisenden K\u00fcnstler des 20. Jahrhunderts, dessen Pers\u00f6nlichkeit das 20. Jahrhundert \u00fcberdauert und die zeitgen\u00f6ssische Kunst nachhaltig gepr\u00e4gt hat. Die Ausstellung <\/span><em>Kontext Beuys<\/em><span>\u00a0<\/span>ist Joseph Beuys (Krefeld, 12. Mai 1921 - D<span>\u00fcsseldorf, 23. Januar 1986), Maler, Bildhauer, Performancek\u00fcnstler, Lehrer, Aktivist u.v.m. gewidmet. Sie wird vom 8. Oktober bis zum 8. Dezember\u00a0 zu sehen sein. Die Er\u00f6ffnung findet am 8. Oktober ab 12 Uhr - im Haus der Kunst der Cantieri Culturali alla Zisa in Palermo statt. Zuvor war die Ausstellung im Stadtmuseum D\u00fcsseldorf zu sehen, mit dem der Verein D\u00fcsseldorf Palermo e.V. das Projekt geplant hat und durchgef\u00fchrt.<\/span><\/p><p><span>Im Zuge der Feierlichkeiten zum 100. Geburtstag des K\u00fcnstlers in Deutschland im Jahr 2021, zeichnet <\/span><em>Kontext Beuys<\/em><span>\u00a0die markantesten Momente von Beuys' Leben und Karriere nach, die in der Figur Beuys weitgehend zusammenfallen. Ausgehend von dem \u201eerweiterten Kunstbegriff\u201c, \u00fcberschreitet Beuys\u00a0 die Grenzen der traditionellen <\/span>\u00c4<span>sthetik und integriert \u00f6konomische, soziopolitische, \u00f6kologische, historische und psychologische Themen, um eine Transformation des Individuums und damit der Gesellschaft zu erreichen.<\/span><\/p><p><span>Anhand von Grafiken, Plakaten, Diagrammen und Aquarellen aus der Sammlung des Stadtmuseums und aus Privatsammlungen zeichnet die Ausstellung das Portr\u00e4t einer au\u00df<\/span>ergew<span>\u00f6hnlichen Pers\u00f6nlichkeit, die sich in ihrer Kunst mit einer Reihe von Themen auseinandersetzte, die auch viele Jahre sp\u00e4ter noch aktuell und dringend klingen: \u00d6kologie, die Beziehung zwischen Mensch und Natur, der Wunsch, eine direkte Verbindung zwischen k\u00fcnstlerischer Praxis und sozialem Engagement herzustellen, \u201esoziale Plastik\u201c, aber auch Begriffe wie \u201eFreiheit\u201c, \u201eKreativit\u00e4t\u201c, \u201eW\u00e4rme\u201c und \u201eIdentit\u00e4<\/span>t\u201c.<\/p><p><span>Die Ausstellung verdichtet Zeugnisse seines kontroversen Verh\u00e4ltnisses zur D\u00fcsseldorfer Kunstakademie, darunter Solidarit\u00e4tsaufrufe und Dokumente zur Gr\u00fcndung der \u201eFreien Internationalen Universit\u00e4t\u201c; Wahlaufrufe f\u00fcr die von ihm gegr\u00fcndete Partei \u201eDie Gr\u00fcnen\u201c, Dokumente zu seinem b\u00fcrgerschaftlichen Engagement, z.B. f\u00fcr die \u201eOrganisation f\u00fcr direkte Demokratie\u201c, Diagramme zum Sturz der \u201eTyrannei der deutschen Parteien\u201c: Ideen, die sich in Grafiken, Stichen, Zeichnungen, Objekten ausdr\u00fccken.<\/span><\/p><p><span>Zugleich will <em>Kontext Beuys<\/em>\u00a0die Spuren des Beuys'schen Denkens in der zeitgen\u00f6ssischen Kunst erforschen und aufzeigen, sein Denken in die Gegenwart transportieren. In diesem Sinne wurden zahlreiche zeitgen\u00f6ssische palermitanische K\u00fcnstler*innen aus verschiedenen Bereichen und Generationen zur Teilnahme\u00a0 eingeladen. Ihre Werke mit verschiedenen Techniken und Bildsprachen treten mit denen von Beuys in Dialog.\u00a0 Andrea Cusumano, Adriano La Licata, Federico Lupo, Blanca Mat\u00edas und Giulia Sofi sind die ausgew\u00e4hlten K\u00fcnstler*innen, die durch Installationen, Videos, Performances und Objekten ihre Arbeit und ihren k\u00fcnstlerischen Prozess auf beuyssche Weise interpretieren.<\/span><\/p><p><span>Die f\u00fcnf K\u00fcnstler*innen erweitern das gro\u00dfe k\u00fcnstlerische und politische Feld in dem Beuys arbeitete, auch mit anderen Perspektiven.<br \/><\/span><span>Andrea Cusumano (Palermo, 1973) konzentriert sich auf das sakrale Element durch die Verwendung von Reliquien, die die Figur des gekreuzigten Christus verk\u00f6rpern und in einen plastischen Dialog mit Spiegeln treten.<br \/><\/span><span>Adriano La Licata (Palermo, 1989) analysiert den schmalen Grat zwischen Kunstwerk und K\u00fcnstler durch verschiedene Medien, Video, Fotografie, Assemblagen; der K\u00f6<\/span>rper des K<span>\u00fcnstlers wird zum Objekt der Kunst, zu ihrer Projektion und zu ihrer Antithese.<br \/><\/span><span>Federico Lupo (Palermo, 1984) sch\u00f6pft ironisch aus dem Bildatlas von Beuys und entweiht und entmythologisiert mit seinen Bildern das Werk des deutschen K\u00fcnstlers.<br \/><\/span><span>Blanca Mat\u00edas (Girona, Spanien, 1967) inszeniert eine Beziehungs-Performance, die an die fr\u00fchen Erfahrungen der Fluxus-Bewegung erinnert, von der Beuys ein Teil war: Ein Wohnmobil am Eingang des Hauses der Kunst wird der Ort sein, an dem die K\u00fcnstlerin und die Besucher*innen der Ausstellung einen Dialog f\u00fchren werden. Es kn\u00fcpft an die Idee der Kunst als Spiel und des Ephemeren im Kunstwerk. Ein Konzept, das die spanische K\u00fcnstlerin auch durch Frottagen und Abg\u00fcssen von M\u00f6beln in der Ausstellung dekliniert.<br \/>Giulia Sofi (Palermo, 1991) schafft eine plastische- klangliche Arbeit, die einige von Beuys' Aktionen, wie die 1982 auf der <em>dokumenta VII<\/em> pr\u00e4sentierten 7.000 Eichen und seine profanen Litaneien weiterf\u00fchrt. Die<\/span> in Palermo geborene <span>K\u00fcnstlerin wird auch mit einer Klasse des Liceo Linguistico di Bisacquino (PA) zusammenarbeiten, um eine auf dem sprachlichen Aspekt in den Werken von Josef Beuys basierende Performance zu entwickeln.<\/span><\/p><p><span>Im Rahmen des BAM \u2013 Biennale Arcipelago Mediterraneo Festivals und der XVIII Giornata del Contemporaneo wurde <em>Kontext Beuys<\/em>\u00a0realisiert in Zusammenarbeit mit dem Stadtmuseum <\/span><span>D\u00fcsseldorf und dem\u00a0 Kulturamt der Landeshauptstadt D\u00fc<\/span>sseldorf.<\/p><p><span>\u00d6ffnungszeiten:<\/span><br \/><span>Do Fr Sa &gt; 10 - 13 und 16 - 19<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/1167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1167"}],"version-history":[{"count":0,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/1167\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/media\/1181"}],"wp:attachment":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}