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Il \\\"Wendepunkt\\\" \u00e8 un cambiamento significativo o una svolta in una situazione, in un processo o in un evento, che segna un cambiamento importante rispetto al corso precedente. I due artisti in mostra, Antonia Gruber (Remscheid, 1993) e Roberto Orlando (Palermo, 1996), informano nelle loro opere il punto di svolta e il cambiamento, sia a livello estetico che formale. Le opere di Orlando, tra pittura, installazione e performance, si concentrano sulla relazione tra umano e vegetale, decostruendo i meccanismi produttivi e simbolici della botanica attraverso dispositivi formali e materiali che sovvertono le logiche binarie della rappresentazione. La sua installazione Harzhaus e la relativa performance riflettono su produzione, identit\u00e0 e differenza attraverso una \u201cmaterialit\u00e0 mucosa\u201d che diventa metafora di esistenza non-binaria e post-antropocentrica. Gruber sviluppa una ricerca visuale che affronta la rappresentazione della femminilit\u00e0, utilizzando strategie di manipolazione digitale per sovvertire i codici visivi della tradizione e dell\u2019industria culturale. Le sue opere interrogano le genealogie dell\u2019immaginario femminile e i dispositivi del controllo normativo, fondendo estetica, tecnologia e critica sociale.<br \/><br \/><span>Giorni e orari di apertura:<\/span><br \/><span>gio ven sab &gt; 16 - 19<\/span><br \/><span>e su appuntamento<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 381\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>In der Literaturkritik bezeichnet der Begriff \u201eWendepunkt\u201c den Moment des Umschwungs in einer Erz\u00e4hlung \u2013 den Augenblick, in dem sich die narrativen Bahnen von Figuren oder Kontexten in eine unerwartete Richtung bewegen und sich zu einer neuen Syntax entwickeln. Der \u201eWendepunkt\u201c ist eine bedeutende Ver\u00e4nderung oder ein Umschwung in einer Situation, in einem Prozess oder in einem Ereignis, der einen wichtigen Bruch mit dem bisherigen Verlauf markiert. Die beiden ausgestellten K\u00fcnstler*innen, Antonia Gruber (Remscheid, 1993) und Roberto Orlando (Palermo, 1996), setzen sich in ihren Arbeiten mit dem Wendepunkt und dem Wandel sowohl auf \u00e4sthetischer als auch auf formaler Ebene auseinander. Orlandos Werke \u2013 zwischen Malerei, Installation und Performance \u2013 konzentrieren sich auf die Beziehung zwischen Mensch und Pflanze. Er dekonstruiert die produktiven und symbolischen Mechanismen der Botanik durch formale und materielle Mittel, die bin\u00e4re Logiken der Repr\u00e4sentation unterwandern. Seine Installation Harzhaus und die dazugeh\u00f6rige Performance reflektieren \u00fcber Produktion, Identit\u00e4t und Differenz durch eine \u201eschleimige Materialit\u00e4t\u201c, die zur Metapher einer nicht-bin\u00e4ren, post-anthropozentrischen Existenz wird. Gruber entwickelt eine visuelle Forschung, die sich mit der Darstellung von Weiblichkeit besch\u00e4ftigt. Sie verwendet digitale Manipulationsstrategien, um visuelle Codes der Tradition und der Kulturindustrie zu unterlaufen. Ihre Werke hinterfragen die Genealogien weiblicher Bildwelten und die Mechanismen normativer Kontrolle, indem sie \u00c4sthetik, Technologie und Gesellschaftskritik miteinander verbinden.<br \/><br \/><span>\u00d6ffnungszeiten:<\/span><br \/><span>Do Fr Sa &gt; 16 - 19<\/span><br \/><span>und nach Vereinbarung<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/1374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1374"}],"version-history":[{"count":0,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/1374\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/media\/1387"}],"wp:attachment":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}