{"id":568,"date":"2019-03-11T10:03:44","date_gmt":"2019-03-11T09:03:44","guid":{"rendered":"http:\/\/www.duesseldorfpalermo.com\/?p=568"},"modified":"2021-05-24T16:23:55","modified_gmt":"2021-05-24T14:23:55","slug":"engramma-san-giorgio","status":"publish","type":"post","link":"https:\/\/www.duesseldorfpalermo.com\/?p=568","title":{"rendered":"Engramma &#8211; San Giorgio"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[92],"tags":[],"class_list":["post-568","post","type-post","status-publish","has-post-thumbnail","hentry","category-mostre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Engramma - San Giorgio - D\u00fcsseldorf - Palermo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.duesseldorfpalermo.com\/?p=568\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Engramma - San Giorgio - D\u00fcsseldorf - Palermo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.duesseldorfpalermo.com\/?p=568\" \/>\n<meta property=\"og:site_name\" content=\"D\u00fcsseldorf - Palermo\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-11T09:03:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-24T14:23:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.duesseldorfpalermo.com\/wp-content\/uploads\/2019\/03\/Franzella_Latente-03_\u00a9Fanara.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.duesseldorfpalermo.com\\\/?p=568#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.duesseldorfpalermo.com\\\/?p=568\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/www.duesseldorfpalermo.com\\\/#\\\/schema\\\/person\\\/4de2fcd015f8d762212054febfb7ba06\"},\"headline\":\"Engramma &#8211; 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\"Engramma San Giorgio, Clemens Botho Goldbach, Euruin 100 eur, Euruin, Piazza XIII Vittime, Ausstellung, Palermo\",\r\n          \"caption\": \"<p><span class=\\\"_Didascalia\\\">Foto \u00a9 Serena Fanara<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 587,\r\n          \"cont\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-03\u00a9Fanara.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-03\u00a9Fanara.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-03\u00a9Fanara-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-03\u00a9Fanara-512x342.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-03\u00a9Fanara-265x177.jpg\"\r\n          },\r\n          \"ar\": 0.667,\r\n          \"alt\": \"Engramma San Giorgio, Clemens Botho Goldbach, Euruin 100 eur, Euruin, Piazza XIII Vittime, Ausstellung, Palermo\",\r\n          \"caption\": \"<p><span class=\\\"_Didascalia\\\">Foto \u00a9 Serena Fanara<\/span><\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 586,\r\n          \"cont\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-02\u00a9Fanara.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-02\u00a9Fanara.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-02\u00a9Fanara-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-02\u00a9Fanara-512x342.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2019\/03\/C-Botho-Goldbach_EuRuin-02\u00a9Fanara-265x177.jpg\"\r\n          },\r\n          \"ar\": 0.667,\r\n          \"alt\": \"Engramma San Giorgio, Clemens Botho Goldbach, Euruin 100 eur, Euruin, Piazza XIII Vittime, Ausstellung, Palermo\",\r\n          \"caption\": \"<p><span class=\\\"_Didascalia\\\">Foto \u00a9 Serena Fanara<\/span><\/p>\"\r\n        }\r\n      ]\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>L\u2019area archeologica di <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/piazza-xiii-vittime\/\\\" data-type=\\\"project\\\" data-id=\\\"576\\\" data-title=\\\"Piazza XIII Vittime\\\"><strong>Piazza XIII Vittime<\/strong><\/a>\u00a0\u00e8 un testimone inquieto della storia di Palermo. L\u2019area fu occupata inizialmente da una necropoli bizantina prima e islamica poi, in seguito divenne parte del quartiere <em>Harat \u2018as Saqalibah,<\/em> primo per numero di abitanti nell\u2019ultimo periodo arabo della citt\u00e0. In et\u00e0 normanna furono costruite le mura di cinta e la fortezza del Castello a Mare, che divenne presto uno dei baluardi cittadini gi\u00e0 dai tempi della guerra dei Vespri tra Angioini e Aragonesi alla fine del XIII secolo. La zona \u00e8 stata da sempre esposta a tensioni interne ed esterne dettate dalle diverse trasformazioni politiche e sociali della storia di Palermo.Nel XV secolo a ridosso della Porta San Giorgio venne costruito un grande bastione e nel Castello a Mare, centro politico e militare di grande importanza, si insedi\u00f2 la prima sede del Tribunale dell\u2019Inquisizione di Palermo. Alla fine dell\u2019Ottocento fu eretto l\u2019obelisco dedicato alle \u201cXIII Vittime\u201d della rivolta della Gancia, spostato pochi anni fa a ridosso dell\u2019area per far posto all\u2019installazione del \u201cMonumento ai Caduti nella Lotta contro La Mafia\u201d al centro della piazza. La storia recente ci riporta ai terribili bombardamenti della Seconda guerra mondiale e allo stato di abbandono successivo, fino agli scavi archeologici degli anni \u201980 dello scorso secolo che hanno contribuito a rendere l\u2019area libera da nuove costruzioni. Piazza XIII Vittime attraversa 14 secoli di storia della citt\u00e0, ci racconta delle genti che l\u2019hanno abitata, di chi l'ha governata e di come nel corso del tempo sia cambiata. Un\u2019eco di questo vortice di eventi, delle voci dell\u2019antico quartiere, dei suoi edifici e costruzioni, rimane nell\u2019area; quello che sembrava scomparso e dimenticato torna alla luce grazie all\u2019archeologia.<br \/><br \/>Il progetto <strong>Engramma \u2013 San Giorgio<\/strong> cerca di cogliere questa eco attraverso l\u2019installazione di due monumenti, realizzati da <strong>Clemens Botho Goldbach <\/strong>e da<strong> Daniele Franzella,<\/strong> che tendendo la storia, ne fanno riemergere dei frammenti in forme mutate. Le opere interpretano i ruderi di memoria collettiva e il vuoto lasciato dalla storia che l\u2019area archeologica ha incorporato.<br \/><br \/>In Engramma - San Giorgio <strong>Franzella<\/strong> presenta <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/latente\/\\\" data-type=\\\"project\\\" data-id=\\\"575\\\" data-title=\\\"Latente\\\"><strong>Latente<\/strong><\/a> una scultura che verr\u00e0 collocata in direzione della chiesa di San Giorgio. Si tratta di una custodia che svelando appena la forma di una statua condensa i complessi passaggi storici dell\u2019area. Una statua di difficile decifrazione, perch\u00e9 simbolo delle varie epoche e dei vari popoli protagonisti di piazza XIII Vittime. L\u2019opera di Franzella interpreta l\u2019atmosfera dell\u2019area archeologica cercando di abbracciare e custodire i diversi frammenti della storia della citt\u00e0 di Palermo di cui l\u2019area \u00e8 testimone. Goldbach si dedica alle rovine di luoghi estinti. Nella sua produzione l\u2019artista tedesco tenta di ricreare e ricostruire, attraverso l\u2019uso di materiale edile, edifici e strutture di cui si ha solo una memoria effimera sia in spazi aperti che in spazi espositivi.<br \/><br \/>Per il progetto Engramma \u2013 San Giorgio <strong>Goldbach<\/strong> realizza <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/euruin-100-eur\/\\\" data-type=\\\"project\\\" data-id=\\\"574\\\" data-title=\\\"EURUIN 100 EUR\\\"><strong>EU<em>RUIN<\/em> 100 EUR<\/strong><\/a>, la porta stampata sulle banconote da 100 euro. L\u2019immagine, opera dell\u2019artista austriaco Robert Kalina, \u00e8 fittizia, summa di elementi barocchi tratti da diversi monumenti. Goldbach la presenta come una rovina, una porta nata rudere, un monumento effimero, mai esistito, collocato sui resti della cinta muraria in prossimit\u00e0 del sito dell\u2019antica porta San Giorgio. Engramma \u2013 San Giorgio tenta di recuperare simboli perduti della citt\u00e0, di strapparli dalla loro dimensione invisibile riattivando la memoria della citt\u00e0 stessa.<br \/><br \/>Engramma - San Giorgio \u00e8 una delle tappe dell'Itinerario Contemporaneo de <strong>Le Vie dei Tesori<\/strong>.<br \/>Tutti i weekend di Ottobre e il primo di Novembre (venerd\u00ec, sabato, domenica), l'Area Archeologica di Piazza XIII Vittime sar\u00e0 aperta dalle ore 18 alle ore 22.<br \/><br \/>Info &gt;\u00a0<a href=\\\"https:\/\/leviedeitesori.com\/\\\" data-id=\\\"0\\\">leviedeitesori.com<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 45\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Das arch\u00e4ologische Gebiet der <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/piazza-xiii-vittime\/\\\" data-type=\\\"project\\\" data-id=\\\"576\\\" data-title=\\\"Piazza XIII Vittime\\\"><strong>Piazza XIII Vittime<\/strong><\/a> ist ein Zeuge der bewegten Geschichte von Palermo. Das Gebiet war anfangs Teil von einer erst byzantinischen und sp\u00e4ter islamischen Nekropole. Sp\u00e4ter wurde es Teil des <em>Harat 'als Saqalibah<\/em>, des bev\u00f6lkerungsreichsten Viertels in der letzten arabischen Periode der Stadt. In normannischer Zeit wurden der Mauerring und die Festung Castello a Mare errichtet, die dann w\u00e4hrend des Vesperkriegs zwischen den franz\u00f6sen Anjou und den Aragonesen am Ende des 13. Jahrhunderts zu einem der Bollwerke der Stadt wurde. Das Gebiet stand immer im Fokus inneren und \u00e4u\u00dferen Spannungen der politischen und sozialen Ver\u00e4nderungen in der Geschichte von Palermo. Im 15. Jahrhundert wurde in der N\u00e4he der Porta San Giorgio eine gro\u00dfe Bastei errichtet. Das Castello a Mare, einem politischen und milit\u00e4rischen Zentrum von gro\u00dfer Bedeutung, war der erste Sitz des Inquisitionsgerichts von Palermo. Ende des 19. Jahrhunderts wurde ein Obelisk zur Widmung der \\\"XIII. Opfern\\\" des Aufstandes der Gancia in die Mitte des Platzes errichtet. Vor einigen Jahren wurde er an die Grenze des Gebiets verlegt. An seiner Stelle befindet sich heute das \\\"Denkmal f\u00fcr die Gefallenen im Kampf gegen die Mafia\u201c. Die j\u00fcngste Geschichte f\u00fchrt uns zur\u00fcck zu den schrecklichen Bombenanschl\u00e4gen des Zweiten Weltkriegs, zur sp\u00e4teren Verwahrlosung, hin zu den arch\u00e4ologischen Ausgrabungen der 80er Jahre, die auf dem Gel\u00e4nde Ruinen freilegten. Die Piazza XIII Vittime erz\u00e4hlt uns von seinen Einwohnern, von seinen Gebietern, und wie es sich im Laufe der Zeit ver\u00e4ndert hat. Ein Echo dieses Sturms der Ereignisse, der Stimmen der antiken Nachbarschaft, der Geb\u00e4ude und Bauwerke, wird auf dem Gel\u00e4nde sp\u00fcrbar. Was verschwunden und vergessen zu sein schien, kommt dank der Arch\u00e4ologie wieder zum Vorschein.<br \/><br \/>Das Projekt <strong>Engramma \u2013 San Giorgio<\/strong> f\u00e4ngt dieses Echo durch monumentale Werke zweier Bildhauer: <strong>Clemens Botho Goldbach<\/strong> und <strong>Daniele Franzella<\/strong> ein. Im Dialog verorten sie die Spannung der Geschichte in Ihren Werken. Sie interpretieren die Ruinen des kollektiven Ged\u00e4chtnisses und auch die des \u00a0arch\u00e4ologischen Bereichs verk\u00f6rperte Leere der Geschichte.<br \/><br \/>In Engramma - San Giorgio pr\u00e4sentiert <strong>Franzella<\/strong> die\u00a0Skulptur <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/latente\/\\\" data-type=\\\"project\\\" data-id=\\\"575\\\" data-title=\\\"Latente\\\"><strong>Latente<\/strong><\/a>, die in Richtung der Kirche von San Giorgio platziert wird. Es geht um eine H\u00fclle, die die Form einer Statue verh\u00fcllt. Der Betrachter ist gefordert, aktiv sehend das Werk zu erfassen, und so die komplexen historischen Wandlungen, ja der Austauschbarkeit geschichtlicher Prozesse gewahr zu werden. Eine Statue, schwierig zu entschl\u00fcsseln, weil sie symbolhaft f\u00fcr der verschiedenen Epochen und V\u00f6lker stehen kann. Franzellas Arbeit interpretiert die Atmosph\u00e4re des arch\u00e4ologischen Gebiets und versucht, die verschiedenen Fragmente und deren Geschichte zu erfassen und zu erhalten. Goldbach besch\u00e4ftigt sich mit Ruinen von verlassenen Orten. In seinen Werken rekonstruiert der deutsche K\u00fcnstler - sowohl im Freien als auch in Ausstellungsr\u00e4umen - Geb\u00e4ude und Strukturen, von denen es nur eine fl\u00fcchtige Erinnerung gibt.<br \/><br \/>F\u00fcr das Projekt Engramma - San Giorgio <strong>Goldbach<\/strong> realisiert <a href=\\\"https:\/\/www.duesseldorfpalermo.com\/euruin-100-eur\/\\\" data-type=\\\"project\\\" data-id=\\\"574\\\" data-title=\\\"EURUIN 100 EUR\\\"><strong>EU<em>RUINS<\/em> 100 EUR<\/strong><\/a>, das auf 100-Euro-Schein bedruckte Tor. Die Abbildung, entworfen von dem \u00f6sterreichischen K\u00fcnstlern Robert Kalina, ist eine fiktive Collage barocker Elemente aus verschiedenen Monumenten. Goldbach pr\u00e4sentiert es als Ruine; schon als Ruine geborenes Tor, ein ephemeres Monument, das nie existiert hat und auf den Ruinen der Mauern in der N\u00e4he des alten San Giorgio-Tors aufgestellt wird. Engramma - San Giorgio versucht, verlorene Symbole und den Ort f\u00fcr die Stadt zur\u00fcckzugewinnen, ihn aus seiner zur Zeit unsichtbaren Dimension zu rei\u00dfen! \u00a0Engramma - San Giorgio reaktiviert die Erinnerung an die Stadt, an ihre Identit\u00e4t.<br \/><br \/>Engramma - San Giorgio ist eine der Etappen der Zeitgen\u00f6ssischen Route der Veranstaltung<strong> Le Vie dei Tesori<\/strong>.<br \/>An jedem Wochenende im Oktober und dem ersten im November (Freitag, Samstag, Sonntag) ist der Arch\u00e4ologische Gebiet der Piazza XIII Vittime von 18 bis 22 Uhr ge\u00f6ffnet.<\/p><p>Info &gt; <a href=\\\"https:\/\/leviedeitesori.com\\\">leviedeitesori.com<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 46\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=568"}],"version-history":[{"count":0,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/568\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/media\/582"}],"wp:attachment":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}