{"id":622,"date":"2019-09-26T22:44:50","date_gmt":"2019-09-26T20:44:50","guid":{"rendered":"http:\/\/www.duesseldorfpalermo.com\/?p=622"},"modified":"2021-05-02T23:44:21","modified_gmt":"2021-05-02T21:44:21","slug":"sprawl-die-vandalen","status":"publish","type":"post","link":"https:\/\/www.duesseldorfpalermo.com\/?p=622","title":{"rendered":"Sprawl \/ Die Vandalen"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":621,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[102,104,125,131,112,126,42,108],"tags":[],"class_list":["post-622","post","type-post","status-publish","has-post-thumbnail","hentry","category-alberto-orilia","category-elisabetta-marino","category-gabriella-arno","category-j-maria-geraci","category-laura-scalia","category-miro-ragusa","category-residenzen","category-rossella-poidomani"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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L\u2019artista tedesco si \u00e8 concentrato sui cambiamenti urbani che interessano la citt\u00e0 di Palermo, cercando di tradurne i ritmi e le trasformazioni in un linguaggio pittorico che vira sull\u2019astrazione e il segno. La frammentazione dei quartieri, il rischio di gentrificazione, divengono segni e colori che si sovrappongono e si spezzano in vortici continui. Gli stessi segni divengono pattern e motivi che l\u2019artista realizza anche attraverso serigrafie prodotte con la collaborazione di Tomo Studio. Su iniziativa di Benjamin-Novalis Hofmann, i suoi lavori verranno esposti insieme alle opere pittoriche di studentesse e studenti dell\u2019Accademia di Belle Arti di Palermo - Gabriella Arno, Lara Cuppari, Martina Drago,\u00a0Francesco Gennaro,\u00a0J Maria Geraci,\u00a0Elisabetta Marino,\u00a0Alberto Orilia,\u00a0Roberto Orlando,\u00a0Rossella Poidomani,\u00a0Miro Ragusa,\u00a0Laura Scalia,\u00a0Grazia Tilotta,\u00a0Dario Vaiarelli - selezionati dai docenti Alessandro Bazan e Fulvio Di Piazza.\u00a0<em>Sprawl<\/em>, il distendersi, diventa, cos\u00ec, il distendersi del colore su una superficie, del segno che marchia e si incide sulla tela, un atto artistico comune al vasto campo della pittura, linguaggio molteplice e allo stesso tempo universale, una babele di segni e tecniche il cui unico tema \u00e8 la pittura stessa.<br \/><br \/>Haus der Kunst, Cantieri Culturali alla Zisa, Palermo<br \/>giorni e orari di apertura: gioved\u00ec-sabato, 16-19<br \/><br \/><strong><em>Die Vandalen<\/em><\/strong>\u00a0I Vandali conquistarono la Sicilia nel V secolo dopo Cristo. Razziarono, devastarono, spingendosi dalle coste fino al centro. La Sicilia divenne la base delle loro scorribande nel Mediterraneo, fino a quando altri popoli germanici non li cacciarono via. I Vandali non lasciarono tracce della loro presenza ma solo l\u2019eco di un periodo di caos e violenza, solo la natura e i paesaggi siciliani sono gli unici testimoni rimasti di quel periodo.<br \/>In dieci anni di viaggi in Sicilia, Benjamin-Novalis Hofmann ha realizzato schizzi, acquarelli e disegni dedicati alla natura e al paesaggio siciliani. Ma non si tratta di semplici rappresentazioni. Le opere su carta sembrano delle interrogazioni sul paesaggio, tentativi di rivelarne la natura pi\u00f9 intima e longeva, attraverso un uso alienante ed espressionista del colore e il tratto sfuggente tipico dello\u00a0<em>Skizzenbuch<\/em>.<\/p><p style=\\\"font-weight: 400;\\\">Sala mostre del Goethe-Institut, Cantieri Culturali alla Zisa, Palermo<br \/>giorni e orari di apertura: luned\u00ec-venerd\u00ec, 9-13 e 15-19<br \/><br \/>Eventi speciali nell'ambito della <a rel=\\\"noopener\\\" href=\\\"https:\/\/italien.diplo.de\/blob\/2246352\/97781c9674604227e9c885e86174a35f\/non-farmi-muro-programma-data.pdf\\\" target=\\\"_blank\\\">Settimana tedesca in Italia:<\/a><br \/><br \/><strong>venerd\u00ec 11 ottobre, ore 19<\/strong><br \/>Visita guidata della mostra con gli allievi dell'Accademia di Belle Arti<br \/><br \/><strong>domenica 13 ottobre, ore 11.30<\/strong>\u00a0<br \/>Finissage della mostra e colazione tedesca\u00a0<\/p><div id=\\\"gtx-trans\\\" style=\\\"position: absolute; left: -15px; top: 822px;\\\"><div class=\\\"gtx-trans-icon\\\">\u00a0<\/div><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 1,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 46\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong><em>Sprawl\u00a0<\/em><\/strong>ist das Ergebnis der K\u00fcnstlerresidenz von Benjamin-Novalis Hofmann beim Verein D\u00fcsseldorf Palermo e. V. in Zusammenarbeit mit dem Kulturamt D\u00fcsseldorf und dem Goethe-Institut Palermo.Der K\u00fcnstler hat sich bei seiner Arbeit auf die Ver\u00e4nderung der Stadtlandschaft Palermos konzentriert und versucht, die Rhythmen und Transformationen in Bildsprache umzusetzen, die sich der Abstraktion und dem Zeichen zuwendet. Die Fragmentierung von Vierteln, das Risiko der Gentrifizierung werden zu Zeichen und Farben, die sich \u00fcberlappen und in kontinuierliche Wirbel aufbrechen. Die gleichen Zeichen werden zu Pattern und Motiven, die der K\u00fcnstler auch durch Siebdrucke in Zusammenarbeit mit Tomo Studio erstellt.\u00a0 Auf Initiative von Benjamin-Novalis Hofmann werden seine entstandenen Arbeiten zusammen mit Werken von StudentInnen der Akademie der Sch\u00f6nen K\u00fcnste von Palermo - Gabriella Arno, Lara Cuppari, Martina Drago, Francesco Gennaro, J Maria Geraci, Elisabetta Marino, Alberto Orilia, Roberto Orlando, Rossella Poidomani, Miro Ragusa, Laura Scalia, Grazia Tilotta, Dario Vaiarelli -aus den Klassen Professor \u00a0Bazan und Professor Di Piazza ausgestellt.\u00a0<em>Sprawl\u00a0<\/em>wird so zur Dehnung der Farbe auf einer Oberfl\u00e4che, der Marke, die sich auf die Leinwand eingraviert, ein k\u00fcnstlerischer Akt, der dem weiten Feld der Malerei gemeinsam ist, eine vielfache und zugleich universelle Kunstsprache, deren Grammatik die Malerei selbst ist.<\/p><p>Haus der Kunst, Cantieri Culturali alla Zisa, Palermo<br \/>\u00d6ffnungszeiten: Do-Sa, 16-19 Uhr<br \/><br \/><strong><em>Die Vandalen<\/em><\/strong>\u00a0eroberten Sizilien im f\u00fcnften Jahrhundert nach Christus und verw\u00fcsteten das Land von den K\u00fcsten bis ins Landesinnere. Sizilien wurde zu ihrer Basis im Mittelmeer, bis andere germanische V\u00f6lker sie vertrieben. Die Vandalen hinterlie\u00dfen keine Spuren ihrer Anwesenheit, sondern nur die Erinnerung an eine Phase von Gewalt und Chaos. Lediglich die Natur und die sizilianischen Landschaften sind Zeugen dieser Zeit geblieben.<br \/>Benjamin-Novalis Hofmann hat innerhalb von zehn Jahren Reisen durch Sizilien unternommen und Skizzen, Aquarelle und Zeichnungen von Natur und Landschaft erstellt. Allerdings handelt es sich hierbei nicht um schlichte Darstellungen, sondern seine Werke auf Papier erforschen die Landschaft, wollen die intimere und langfristige Anlage der Natur untersuchen, indem Farbe verfremdet und expressionistisch verwendet wird und damit die dem Skizzenbuch typische verg\u00e4ngliche Note erh\u00e4lt.<br \/><br \/>Goethe-Institut, Cantieri Culturali alla Zisa, Palermo<br \/>\u00d6ffnungszeiten:\u00a0Mo-Fr, 9-13\u00a0Uhr und\u00a015-19\u00a0Uhr<br \/><br \/>Sonderveranstaltungen im Rahmen der\u00a0<a rel=\\\"noopener\\\" href=\\\"https:\/\/italien.diplo.de\/blob\/2246352\/97781c9674604227e9c885e86174a35f\/non-farmi-muro-programma-data.pdf\\\" target=\\\"_blank\\\">Settimana tedesca in Italia (Deutsche Woche in Italien):<\/a><br \/><br \/><strong>Freitag<\/strong><strong>\u00a011. Oktober, 19 Uhr<\/strong><br \/>F\u00fchrung durch die Ausstellung mit den Studenten der Kunstakademie<br \/><br \/><strong>Sonntag 13. Oktober, 11.30<\/strong>\u00a0<strong>Uhr<\/strong><br \/>Finissage der Ausstellung und deutsche Fr\u00fchst\u00fcck\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 47\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=622"}],"version-history":[{"count":0,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/posts\/622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=\/wp\/v2\/media\/621"}],"wp:attachment":[{"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duesseldorfpalermo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}